Archive for the 'Rebel Filmmaking' Category

Tips For Fast Internet Video Editing

Two weeks ago I’ve started a show in Hebrew called “Mac Anonymous” - targeted at Mac addicts in Israel. We are a two men team, myself and Guy Nehser, and we do everything in this show - shoot, light, sound, and post production (including editing).

I am no editing expert, and everything I am writing here is coming from my own experience. However, I’d like to share with you some of the techniques and tools I am using to increase my productivity in the editing process. Some of them are concepts, and some are hands-on tricks. I’d love to hear your feedback, thoughts and advice.

The Importance Of Rhythm

My sister is a very talented musician. Unlike me, she knows how to play the guitar, piano and bunch of other instruments. That’s why she managed to edit some amazing video clips with nothing but Windows Movie maker (god forbid, but she is moving to a Mac soon). Walter Murch, who edited amazing pieces such as The Godfather and Apocalypse Now, said in one interview that editing is all about rhythm - finding your piece rhythm would lead you to a better understanding of the shots and cuts you need to preform. For me this is the basis of my whole editing experience.

Watch While Capturing

I used to look at capturing as the most annoying part of the editing process. It is probably due to the use of Non Linear Editing system like Final Cut, that allowed me to capture without going through the whole material (unlike linear editing). While editing the second episode of my show, I reviewed the material as I captured it. This process saved me a lot of time. While capturing I’ve already identified the best takes that fit the final product. It also helped me to easily find interesting parts or great bloopers. It was a major time saver - capture your own material.

Listen When Cutting

When I watch an unedited piece, I tend to lose focus as the visuals take all my attention. Though visuals are crucial in video editing, sound is much more important in many cases (people would tolerate bad lit video, but not bad sound). Taking that into account, I started editing new pieces in the following way: after identifying a good shot, i close my eyes and listen to the audio (in this show, it is mostly an anchor reading something). Every time I feel that there is a need to change an image to fit the audio track I add an editing point (in Final Cut Pro it is done with CTRL V). Sound strange right? Try it and see what you get after one pass of the shot - you have all the edit points that require to change the zoom of the shot, add graphics or another audio layer. By doing this procedure I’ve reduced more than 30% of my editing time - because after my first pass I already had a roughly edited piece.

Let Your Camera Roll

I no longer stop my camera between shots. In the case of our show, we had a static set. Therefore we just let the camera roll and stop it only when we take a long break. Yes, it does increase capturing time, but it is very efficient when coming to organizing the material as a whole. This tip is relevant mainly for short pieces such as internet shows.

Change Shots In Post Production

Another useful trick we are using is to shot in wide angle and leave the zooms for post production. This way, we have a steady shot, and we then create in post production close ups, extreme close ups and american shots. Remember the editing points we made while listening? By pasting attributes from one edit point to the other, we created a dynamic piece, even though the camera didn’t move at all. The combination of creating an edit point, specific shots, and then pasting these attributes between clips, made my editing way faster than changing camera position.

This is the result - is it is far from perfect, and the next piece is better, but it will give you a sense of the result that can be achieved using these methods:

[blip.tv ?posts_id=1098198&dest=-1]


The Perfect Online HD Video Production Kit For Less Than a $1000

As a media geek I am very excited with my new gear and setup. So excited that I’ve decided to share with you my enthusiasm with my latest purchase - the Canon HV30.

When I started building my little video production facility, camera and editing computer were my first concerns. I made two decisions - one was to buy a strong PC for video editing, and the other was to buy the Panasonic NV-MD10000, a great SD PAL camera with a lot of manual control of key parameters.

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Panasonic NV-MD10000

When I moved to Mac, I’ve experimented with Final Cut Express, which quickly led me to buy Final Cut Studio and make it my only editing solution.

However, on the camera side I wasn’t happy with my choice. The main reason was size. Going to shoot an event became a hustle, I had no way to take the cam with me just for fun, and the whole process became too much work and not enough fun.

So, I went back to my imaginary drawing board and decided to so a short requirement list for my next camera. I came up with this:

1. Small enough to fit into my laptop bag

2. Expandable with a standard shoe

3. HD

4. Light weight

5. Under $1000

6. External mike jack

In my last visit to NYC, I met with my good friend Bill Cammack, who has a tendency to take pictures of himself with social media divas, and asked for his guidance.

Bill is using Canon HV20, which is a great camera, that has it all. It fits the palm of your hand, supports HDV format on Mini DV cassettes and has many additional features (24p, external mike jack to name two of the more important ones) that make it a great buy.

After a lot of research I bought this little piece of equipment - Canon HV30:

canon-hv30.jpg

It is based on the same body and sensor of the HV20, but with two significant upgrades:

1. Support for 30p- meaning, the camera can shot HDV in 30 frames per second in progressive mode. This is the reason that it is so great for web video - many video distribution reduce video frame rate to 15 frames. Video shot in 24, or 50 frames per second looks choppy a bit when down-sampled to 15 frames. 30 frames works like a charm.

2. It has a black body - which is way cooler than the silver one :)

Audio is THE most important part of video productions, especially for the web. The external mike jack is not XLR, which means that it is not a professional interface. However, there is an amazing and affordable mike from Rode called VideoMic (not the most original name in the world….). This is shotgun directional microphone, that does not require phantom power, and has a standard shoe. One of the biggest issues with the Canon HV20/30 is that the motor noise is picked up by the onboard mike. If you are aiming at a decent production, on board mike is a complete no no. I bought my VideoMic a while ago, and it is a great supplement to the HV30. It costs less then $150. And if you are into interviews, take a look at Shure SM58 - a great handheld mike, with great audio results, and costs only $100.

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I had a chance to check out my new setup at TWS2008. I brought the nifty little camera with the VideoMic, and had a blast. I shot several videos with ease, and even brought the cam with me on stage. That’s exactly what I was looking for. I also recorded some indoors videos with it, using a tripod, and a small lavaliere. So basically, this camera provides the full range of use cases - interviews, studio shots, outdoors shots and everything you need from a small camera.

Talkiing about expandability of this camera, check out this setup of a great guys in the HV20/HV30 forum:

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It is in no way a professional camera. It doesn’t have an XLR input, and even the MD10000 has more manual control on key parameters. Also the menus can drive you crazy sometimes. But it works great in 99% of cases, and with some effort and expansion you can cover almost all your needs with this small but smart piece of equipment.

So, here it is, your HD production kit for the following:

1 Canon HV30 - $785

1 Rode VideoMic - $139

———————————–

Total $924

And you still have some change for additional accessories (tripod is a must, so spend your money wisely….).

You can see some video footage taken by this little piece of equipment in this Vimeo group. Here’s one to note:

[vimeo http://www.vimeo.com/1215322]

I will upload some of my videos soon.


Filmmakers - The Internet Will Change Your Life! or Web Opportunities for filmmakers - An Overview

[digg http://digg.com/tech_news/How_can_filmmakers_use_the_internet/blog]Technology and cinema go hand in hand for years. The world of cinema started as a technological invention. Only couple of years later filmmakers created new ways of story telling.

The web, video sharing applications, blogs and social networks can help filmmakers in several ways - if used properly. Here is a short overview of the main Internet influences on filmmakers:

1. Content Creation - the Internet not only helps companies to work collaboratively - it also helps filmmakers to create new kind of productions - participatory filmmaking. Sometimes referred to as open source cinema, there are several amazing projects where filmmakers ask a community to contribute ideas and scripts to a central project. Some of them also have a fundraising element - users can contribute content or funds, and get credits as producers. Great example for that is Swarm of Angels.

2. Distribution - the most straight forward advantage is the ability of independent filmmaker to distribute her own content. YouTube, Blip.tv, Bittorent and Jaman are only some of the options open to filmmakers today. The main problem with this solution in my opinion is the user experience. There is a magical atmosphere in the theater - dark room, large screen, the soundtrack all around the viewer - all of these elements create a unique world, and in a sense makes the life of filmmaker easier. All the above mentioned distribution methods, though in some cases support even HD video quality, will enable viewers to watch the content on their TV in best case, and in most cases on their computer screen. Still, the ability to independently distribute video can improve filmmakers position and attract audience to their work. Which leads me to the next item.

3. Marketing - with all those filmmakers, Indie creators, and kids with webcams - how can you get noticed? This is one of the strongest links between filmmakers and Internet TV creators. The ease of distribution is a double edge sword - cause now content creators need to fight for attention. Lucky for all of us, there are several ways to utilize free and available tools to achieve this goal. Social networks, blogs, dedicated sites, badges, embeddable video players - all can be used in order to spread the word, and get attention from potential viewers. Here are some techniques:

- Allow users to remix your content and let them create their own version of your creation

- Release content to YouTube and allow viewers to embed it in their social network profiles and blogs

- Create online fan material - badges, graphics and logos can help fans express their affection to your creation. The good news - it is cheaper than making T-Shirts.

If you want to see a great example - check the work of Lance Weiler and Head Trauma.

4. Augment your creation - well, this is the tricky part. Remember all the discussions about interactivity, and how you can create content that viewers will decide its course? Well, I don’t believe in it. People want to be entertained - don’t let them decide on the protagonist’s action. But, you can use technology to add new dimensions to your creation. Write a fictitious blog by your characters. Create a Facebook account for them. put some Easter eggs in your film, that can be unlocked by registering to a web site. The sky is the limit.

Tomorrow I will attend the CinemaTech conference in Jerusalem, covering these topics. In future posts I’ll drill down to each of these points.

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A Surprise in Paris

Last weekend I walked down the streets of Paris, near Place de la Concorde, and bumped into a Nazi soldier

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At first I was shocked - either I drank too much, or it was possible to travel through time and space, or Europe has gone crazy again…

Much to my relief (I am Jewish after all…) I found myself standing in the middle of a historical movie set, taking place in occupied France. All around me were WWII cars, news stands, and people dressed in long coats and hats. It was surreal to see old army tracks and buses full of extras dressed up in 40’s fashion, only to get distracted by a modern day cars passing by.

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I was also amazed to see the amount of equipment and staff that were on set, besides the actors. The scene was simple - two women meet at the entrance to a Metro station, and two sinister SS detectives follow them (nothing like long leather rain coats to get you typecasted)…

I counted 5 tracks of equipment, at least 30 people around the set, 2 cameras, projectors and loads of audio equipment. It made me think about how crazy all of us are, trying to create content on the cheap, as we are up against these huge productions.

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For me it was an amazing experience - step into a different period in time, and see how much effort is invested in each film we see.

One of the extras told me it is the set of a film “The Lady in The Dark”. I didn’t find any info on it online - but it might be that there is only information in French, or that it is a working title. Hope you enjoyed the pictures.

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